There are few dramatic moments that justify the music that stems from the songs.
O’Casey’s depiction of the incursion of war on the lives of the innocent shudders with timeliness.
Across this revival of Purlie Victorious, it’s rare that the silliness and sobriety intermix.
There are pauses, yes, in Infinite Life, but they’re far from mere stylistic flourishes.
Shaw discusses the creation of The Shark Is Broken, his memories of the Jaws set, and more.
Few shows have mastered the varied arts of cinematic recreation quite like this one.
Once Upon a One More Time is a frivolously delightful entry into the jukebox genre.
There’s a shadow hanging over the 2023 Tony Awards, and we don’t just mean the WGA strike.
Nair discusses the importance of bringing her most popular movie to the stage and more.
Sher discusses how Camelot speaks to our current turbulent era of national politics.
Never before has a boy triumphed more.
Comer’s Tessa wins the case for Suzie Miller’s play as urgent, necessary theater.
Ijames celebrates his characters in all their hammy, juicy humanity.
Shucked should probably invest in some “Keep the punchlines” pins.
What’s frustrating about the play is that it skims and skids on and around interesting ideas.
Sweeney Todd can still shock, even if this production seldom goes for the jugular.
The Harder They Come deserves a weirder, more surprising stage adaptation.