The acting legend discusses how he’s been changed by connecting to the consciousness of plants.
Suda51 discusses his preference for collage aesthetics and artistic collaborations.
Magaro discusses why he thinks audiences understand his character’s controversial choice.
Aramayo discusses how he approached his portrayal of someone with Tourette’s.
Choudhury discusses acting opposite Daphne Rubin-Vega, working with Mira Nair, and more.
Ohs discusses why he likens his “table of bubbles” filmmaking approach to a scientific method.
Lowery discusses the creative uncertainty that led him to write Mother Mary.
Romvari discusses how her autobiographical first feature builds on her short work.
Gladstone discusses what she still carries from her experience playing Mollie Kyle.
Lapid discusses the necessity of shooting Yes while the carnage in Gaza unfolded.
Koberidze discusses his Sony Ericsson-shot feature and why he’s fascinated by pixelated images.
Frémaux corrects the record on the Lumières’ importance to cinematic history.
Herzog discusses the genesis of his new documentary and the urgency of his filmmaking.
Johnson and McCarrol talk Canada, comedy, and Back to the Future. Also Drake.
Davies Jr. discusses carrying his father’s name and being drawn to masculine imperfection.
Melling discusses serving a filmmaker’s vision, working with Alexander Skarsgård, and more.
Skarsgård discusses why it was important for him to find cracks in his character’s façade.